We are now witnessing a thematic and
discursive
change in Javier Orozco’s work! He has
become a progressive
poet, a musician of light, an artist who
executes, with two hands,
a very powerful visual concert of closed
discourses, symbolic
and, at the same time, universal. Because
it is undeniable that
with these images we are witnessing the
encounter between
technology and organics, faith collapsed
into nihilism and
eroticism, the losses in duels poorly
resolved and the hope of a
brighter future.
This “Two Hands” visual concert allows us
to foresee the
future, the meeting of opposites comes
together in the possibility
of forgiveness, to absorb the pain, to
confront our demons and
access them from the fruitful and creative
earthly paradise. Javier
Orozco’s work recreates the world of fierce
belongings, which
we shamelessly must accept to avail
ourselves of a tomorrow of
desire, hope and the (re) creation. Rebeca
Monroy
